Quad, Questions of Theater: <Xi'an Train>
- Performing Arts
122 Dongsung-gil, Jongno-gu, Seoul (Dongsung-dong)
Festival dates
D-32Wed, Dec 16, 2026 – Sun, Dec 27, 2026
12 days · Upcoming
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Things to do
- Hours
- - Weekdays 19:30 - Weekends 15:00 ※ No performances on Mondays
- Venue
- Daehakro Theater Quad
- Program
- <2026 Quad, Questions of Theater: Evolving Texts> This project focuses on the 'text,' the essence of theater, and explores the present and future of contemporary theater through the power of plays that are constantly reinterpreted across generations. From William Shakespeare to modern plays and contemporary Korean theatrical texts, five works evolve anew through the direction of five master directors who led the golden age of Korean theater: Kim Ara, Kim Kwang-bo, Kim Woo-ok, Lee Sung-yeol, and Han Tae-sook. <Seoan Hwacha> is a work written and directed by Han Tae-sook herself, which premiered at the Jeongmiso Small Theater in 2003. It garnered significant attention from critics at the time of its premiere, sweeping the Dong-A Theater Awards for Best Play, Best Director, Best Stage Design, and Best Actor. Among Director Han Tae-sook's works, *Seoan Hwacha* is one of the pieces that has been restaged relatively frequently. It has consistently garnered attention from audiences and critics amidst changing times, spanning from its selection as an invited work at the 12th BESETO Theatre Festival in 2005, to the 10th anniversary performance of the Moolly Theatre Company in 2008, and its restage in 2015. Starting from human desire centered on Sang-gon—a "homosexual character" who could be considered "unconventional" at the time—the play densely portrays the unique power of theater that allows time, memory, and even space to expand infinitely.
- Admission
- 50,000 KRW for all seats ※ Please refer to the official website for detailed pricing and discount information.
- Contact
- 1577-0369
- Website
- Visit
- Source
- Korea Tourism Organization
Inside the train speeding toward the Mausoleum of Mount Li in Xi'an, China, Sang-gon is filled with anticipation for the underground palace of Qin Shi Huang and the countless Terracotta Army he is about to encounter. As Sang-gon reflects on Qin Shi Huang, who desired eternity within a finite life, and on the things he has “never fully possessed” in his own life, the train arrives in Xi'an before he knows it. A Korean man with a Chinese mother, a man who has never received a love fully reciprocated. Standing before Qin Shi Huang’s desire for immortality, what is the desire of Sang-gon’s life? Sang-gon, who has lived his entire life on the “periphery,” stands before the greatest story and sees himself. In the face of that immense desire, Sang-gon finally looks into his own story.